The Foundling Museum, London, celebrates the opening of a new and highly emotive exhibition entitled Threads of Feeling. The exhibition will showcase fabrics never shown before to illustrate the moment of parting as mothers left their babies at the original Foundling Hospital, which continues today as the children’s charity Coram.
‘A bunch of 4 ribbons narrow – Yellow,
Blue, Green, & Pink’ © Coram
‘A bunch of 4 ribbons narrow – Yellow, Blue, Green, & Pink’ © Coram
In the cases of more than 4,000 babies left between 1741 and 1760, a small object or token, usually a piece of fabric, was kept as an identifying record. The fabric was either provided by the mother or cut from the child’s clothing by the hospital's nurses. Attached to registration forms and bound up into ledgers, these pieces of fabric form the largest collection of everyday textiles surviving in Britain from the 18th Century
A selection of the textiles and the stories they tell us about individual babies, their mothers and their lives forms the focus of the Threads of Feeling exhibition. The exhibition will also examine artist William Hogarth’s depictions of the clothes, ribbons, embroidery and fabrics worn in the 18th Century as represented by the textile tokens.
red and white speckl’d linen turn’d up red spotted with white’. A baby’s sleeve
made from linen © Coram
‘Sleeves red and white speckl’d linen turn’d up red spotted with white’. A baby’s sleeve made from linen © Coram
John Styles, Research Professor in History at the University of Hertfordshire, received funding from the Arts and Humanities Research Council to curate the exhibition. John comments: “The process of giving over a baby to the hospital was anonymous. It was a form of adoption, whereby the hospital became the infant’s parent and its previous identity was effaced. The mother’s name was not recorded, but many left personal notes or letters exhorting the hospital to care for their child. Occasionally children were reclaimed. The pieces of fabric in the ledgers were kept, with the expectation that they could be used to identify the child if it was returned to its mother.
The textiles are both beautiful and poignant, embedded in a rich social history. Each swatch reflects the life of a single infant child. But the textiles also tell us about the clothes their mothers wore, because baby clothes were usually made up from worn-out adult clothing. The fabrics reveal how working women struggled to be fashionable in the 18th Century.”
‘Flowered chince’. Chintz - Indian cotton printed with flowers © Coram
‘Flowered chince’. Chintz - Indian cotton printed with flowers © Coram
Renuka Jeyarajah-Dent, Coram Director of Operations comments: “The exhibition so vividly illustrates how the separation of a mother from her child is never an easy act and the depth of feelings involved are the same. Coram remains a charity, which works with children parted from their parents, including those in state care, to enable the parents and children involved to deal with their emotions. Even today, an object can be a reminder and comfort when someone is parted from a parent.” The exhibition will include representations, curated by Renuka, from children, young people and families Coram works with today.
The Foundling Museum is at 40 Brunswick Square, Bloomsbury, London WC1N 1AZ. Tel: 020 7841 3600 The Museum is open Tuesday to Saturday 10am – 5pm and Sunday 11am – 5pm, closed on Mondays. Admission: £7.50, concessions £5, children free.
The Museum tells the story of The Foundling Hospital, London’s first home for abandoned children, which until the 1920s stood on the site that is now the Coram Fields children’s playground. It houses the Hospital’s fine collection of mainly eighteenth century art. The Museum also contains a gallery and research library dedicated to Handel, who was a major benefactor of the Hospital.